By Kirsty McKay

Cover Blurb:

The 1990s genre-twister in print for the first time in ebook and paperback It looked like the chewed-up remnants of a dog’s bone, only much smaller. It was still warm, the meat wet, the tiny bone fragment sharp. D Man and Laura were watching me from the other side of the corridor. “That’s what it fires,” D Man said, his voice rough. “Huh?” I asked, still not quite getting it. “Bits of people. It fires bits of people.” I suddenly felt sick. I dropped the round. Amy Charlton’s just a regular high school girl from Newcastle. Doesn’t have many friends, not much going on in her life, but no big deal. Until the television starts talking to her. Warning her that her house and family and even her pet dog might not be everything they seem. And that’s not to mention the invisible intruder in the garden. Who may or may not be the same person. Confined to an unusual psychiatric hospital, Amy’s grip on reality slips further as she becomes obsessed with something called The Deadhouse. And that’s when things start to get really weird.

The Deadhouse By Author Scoon Ferguson – Book Review

A well written and twisted psychological horror by Scoon Ferguson that masterfully blurs the lines between reality and madness! This genre-bending 90s gem, took me on a mind-bending journey that I won’t soon forget!

The story follows Amy Charlton, an seemingly ordinary Newcastle teenager whose mundane life takes a sharp turn into the bizarre when her television starts communicating with her. The plot begins deceptively simple, lulling readers into a false sense of security before spiralling into increasingly surreal and disturbing territory. The author’s pacing is exceptional, gradually ramping up the tension as Amy’s grip on reality begins to slip, leading to her confinement in an unusual psychiatric facility and her growing obsession with the mysterious Deadhouse.

Amy emerges as a compelling protagonist whose perspective becomes increasingly unreliable, leaving readers constantly questioning what’s real and what’s delusion. The supporting cast is equally well-crafted, though it becomes deliciously difficult to determine who – or what – they truly are. The author excels at maintaining this sense of uncertainty throughout the narrative.

The dialogue shifts seamlessly between mundane teenage conversations and increasingly disturbing exchanges that make you question everything you’ve read before. The author has a particular talent for using seemingly normal conversations to create an underlying sense of wrongness that grows more pronounced as the story progresses.

The writing style is distinctive and confident, demonstrating the author’s penchant for the morbidly strange in the best possible way. The vivid descriptions of the more disturbing elements showcase a unique imagination that won’t be confined by genre conventions.

This is not a book for the faint-hearted or those who prefer their narratives neat and explained. It’s a wild, unsettling ride that demands your attention and rewards close reading. I found myself completely captivated by this unusual horror story that defies easy categorisation. Be prepared for a mind-bending experience that will leave you questioning reality long after you’ve turned the final page. I award The Deadhouse 5 stars!

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